I actually think 2020 onwards can be reunderstood as the “International Era”. Production from outside the USA has exploded and is more accessible than its ever been, so when people express grievance with say, post-2020 content (especially the release schedules) - you can point out how you aren’t really confined to the USA anymore.
I actually think 2020 onwards can be reunderstood as the “International Era”. Production from outside the USA has exploded and is more accessible than its ever been, so when people express grievance with say, post-2020 content (especially the release schedules) - you can point out how you aren’t really confined to the USA anymore.